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Otoliths Of Common Australian Temperate Fish

RRP $24.99

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The accurate identification of fish 'ear-bones', known as otoliths, is essential to determine the fish prey of marine and terrestrial predators. Fish otoliths are species-specific when combining size, shape and surface features, and can remain undigested for long periods. As a result, they can indicate which fish make up the diet of various predators, including cephalopod, seabird, marine mammal and fish species. Such studies are crucial for understanding marine ecosystems, and trophodynamics in particular. Increasingly, these methods are being used to understand the diet of some terrestrial predators, also extending to that of humans in archaelogical studies.

Otoliths of Common Australian Temperate Fish offers users a verified reference collection to assist in the accurate identification of species and size of fish using otoliths. It covers 141 fish species from a broad geographic range of the Australian temperate region and includes commercial and non-commercial fish species. A standardised written description of the otolith structure, size and surface features is provided for each species. Included are brief distribution and ecology notes, and regression for both otolith and fish lengths, together with high-quality SEM photographs of the otolith described.

This guide will be an essential reference for marine scientists and marine mammal researchers; ornithologists, fisheries researchers and fish biologists studying age and growth or comparative anatomy; and archaeologists.

Dianne Furlani has worked in temperate marine science for 20+ years in the fields of taxonomy, biology and ecology, predominantly in SE Australian shelf and inshore waters, and predominantly working on finfish species and ecological work typically with links to trophodynamic studies.

Dr Rosemary Gales is Section Head, Wildlife and Marine Conservation Section, Biodiversity Conservation Branch, Department of Primary Industries and Water (DPIW).

David Pemberton is Senior Curator of Southern Ocean and Antarctica, The Tasmanian Museum and Art Gallery.

The Improvisation Of Musical Dialogue

RRP $28.55

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This book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform.

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