This volume on "Education towards a Culture of Peace" is a timely undertaking, since the United Nations has proclaimed the years 2001-2010 as the "International Decade for a Culture of Peace and Non-Violence for the Children of the World." A culture of peace as defined by the UN is "a set of values, attitudes, modes of behaviour and ways of life that reject violence and prevent conflicts by tackling their root causes to solve problems through dialogue and negotiation among individuals, groups and nations". (UN Resolutions A/RES/52/13 1998: Culture of Peace and A/RES/53/243, 1999: Declaration and Programme of Action on a Culture of Peace). Most of the chapters in this book are based on lectures that were presented at the International Conference, "Education towards a Culture of Peace". This conference was convened on 1-3 December 2003, by the The Josef Burg Chair in Education for Human Values, Tolerance and Peace - UNESCO Chair on Human Rights, Democracy, Peace and Tolerance School of Education, at Bar Ilan University, Israel. This international gathering was attended by prominent scholars of Human Rights and Peace from Canada, Chile, Croatia, Germany, Mauritius the Netherlands's, The United States, the Palestinian Authority and Israel. Australian, Indian, Jordanian and Moroccan colleagues also submitted papers. This conference was held under the auspices of Israel National Commission for UNESCO and supported also by the Ministry of Foreign Affairs, Jerusalem, The office of Public Affairs of the US Embassy Tel Aviv, Fulbright - United States - Israel Educational Foundation
This book maps contemporary film criticism as a cultural institution. At the beginning of the 21st century film criticism was talked about as an institution in crisis. The decline of print journalism, a series of lay-offs of prominent American critics, and the rise of "amateur" reviewing online, spurred a conversation about the decline, even death, of film criticism. The book first examines this recent crisis discourse and then compares it against historical precedents stretching back to the early 20th century. It finds that "crisis" has always been a leitmotif of film criticism's conception. The book then provides what the crisis conversation does not: an account of film criticism's institutional formations. This book maps film criticism by elucidating its various practices, tasks, comportments, and personae, primarily using US, UK, and Australian case studies, but also comparing these to continental European and broader international experiences. While not denying the changes and challenges that contemporary film criticism faces, this book situates these within an historical context and institutional framework that allows us to move beyond the crisis discourse.
Melbourne writer, critic and teacher A.A. Phillips coined the memorable term 'the cultural cringe' to describe an Australian tendency to identify our literature and art as inferior to work produced overseas, particularly in Britain and the United States. Although his famous essay on the cringe was first published more than fifty years ago, it remains a powerful reference point in discussions of the national culture. It is reprinted here with two of Phillips' other essays on Australian culture, and with additional biographical and critical material, including an essay by Ivor Indyk.
Just a fortnight before Christmas, 1871, a young man, twenty-four years of age, returned home to his dinner about eight o'clock in the evening. He was married, and with him and his wife lived his wife's sister. At that somewhat late hour he walked in among the two young women, and another much older woman who was preparing the table for dinner. The wife and the wife's sister each had a child in her lap, the elder having seen some fifteen months of its existence, and the younger three months. "He has been out since seven, and I don't think he's had a mouthful," the wife had just said. "Oh, Harry, you must be half starved," she exclaimed, jumping up to greet him, and throwing her arm round his bare neck.
Economics, Culture and Social Theory examines how culture has been neglected in econ omic theorising and considers how economics could benefit by incorporating ideas from social and cultural theory.
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